Wednesday, February 3, 2010

Nurse wins first Kiwi Asian journalism scholarship

Pacific Media Centre

A young Filipina-New Zealander has been awarded the first Asia New Zealand Foundation Kiwi Asian Journalism Scholarship.

The successful candidate, Corazon Miller, is of Filipina and New Zealand European descent. She is bilingual in Tagalog and English.

Miller is currently employed as a nurse at Auckland Hospital’s Neonatal Intensive Care Unit.

She intends to use the communication and cultural awareness skills she has acquired during her short career as a health professional to embark on her new direction as a journalist.

“Despite our growing Asian population, New Zealand has a shortage of Asian journalists. Many of the Asian population fail to identify with the mainstream media,” she said.

“As Asian New Zealanders, it is their right to have access to the media. As a Kiwi-Asian journalist I hope that I will be able to facilitate that within their community and within the media industry.”

Miller has enrolled in a Postgraduate Diploma in Communications Studies with a journalism major at AUT University in Auckland and is planning to do the Asia-Pacific Journalism course – the first of its kind in New Zealand.

The Kiwi Asian Journalism Scholarship is designed to attract more young Kiwi Asians into journalism study and to encourage increased representation of Asian communities in mainstream journalism.

A 2007 survey of New Zealand journalists undertaken by the New Zealand Journalism Training Organisation (NZJTO) showed that only about 2 percent of all journalists working in the mainstream English language news media were Asian.

The Kiwi Asian Journalism Scholarship will apply to the 2010 academic year and is for the value of $5000 to be paid on completion of Miller’s course of journalism study.

The 2011 scholarship will be open for applications in August.

Source: Asia New Zealand Foundation

Tuesday, January 26, 2010

Pacific Media Watch wins grant to boost freedom of expression project

Pacific Media Centre: pmw2627

The Pacific Media Watch freedom of expression monitoring project at AUT University has been awarded a $15,000 development grant to expand its regional database and journalism resource.

The PMW project was adopted by AUT’s Pacific Media Centre in 2007 and has been developed by Pacific Islands contributing editors based in the School of Communication Studies for the past three years.

Previously, the project had been steered by journalists in the region working as volunteers.

A grant has now been awarded by the Pacific Development and Conservation Trust to the PMC which will enable the project to expand its educational and research role for the region and to enhance the involvement of postgraduate student journalists.

“This is an important development for us and will enable the PMC to significantly improve the resources made available through the university’s PMW database and integrate it with other digital developments planned by the centre for later this year,” says PMC director Associate Professor David Robie.

Contributing editor of the project for the past 18 months has been Josephine Latu of Tonga. She followed Taberannang Korauaba of Kiribati who worked on the project in 2007.

Other AUT postgraduate student journalists have also contributed to the text, video and audio resource, which links to the new regional news website Pacific Scoop.

Pacific Media Watch was originally established at the University of Technology, Sydney, and University of Papua New Guinea in 1996.

Background on Pacific Media Watch
The PMW database is at: www.pacmediawatch.aut.ac.nz

Sunday, January 17, 2010

Crowd pleasers - a new way to pay for quality journalism

By Nick Evershed, of NPA Bulletin

Newspapers have seen a number of new media outlets present both threats and opportunities over the years, from radio and TV to the internet.

Now there is a new one to add to the list - non-profit news publishers.

It has been announced that the Foundation for Public Interest Journalism in Melbourne, Australia, intends to present a new model for funding news content.

Margaret Simons, chair of the foundation, says they are considering three or four models which are partially based on the US organisation, Spot.us.

“The existing business models are in crisis,” she says. “It’s hard to persuade the established business models to innovate.”

She says the foundation would be an experiment in “community-driven commissioning”.

Spot.us uses a system of “crowd funding”. A pitch for a story is placed on their website, and then members of the public can donate money to fund a registered freelance journalist to write the story.

Publishers can also donate money to story pitches, and if they fund 50 per cent of a story pitch they gain first-publishing rights on the story. If they pay for all of it, they gain exclusive rights to the story.

The founder of Spot.us, David Cohn, says they are not in competition with traditional news publishers. Rather, they are helping them.

Freelance costs
He says his model allows newspaper to reduce their freelance costs as the public will help to fund stories they want to see published.

“When I talk with people in traditional news organisations, they like the idea,” he says.

Even if a publisher does not pay a cent towards a story, they can still benefit. Stories are released under Creative Commons licensing if a media company does not buy publishing rights.

The Creative Commons system allows users to release content from certain aspects of copyright, while maintaining others. In the case of Spot.us, this allows content to be freely used by news organisations, so long as the work is attributed to the original author.

In this way, Cohn says Spot.us “can be a little bit of an Associated Press in a sense”.

Despite the potential to reduce publisher’s costs, he stresses that non-profits are not “some kind of saviour” for the financial troubles of the newspaper industry.

“This is not a silver bullet,” he says. “I don’t think there is any such thing.” He adds that while individuals in traditional news organisations are enthusiastic about Spot.us, he finds newspapers executives cautious about using his service.

The San Francisco Chronicle is the largest newspaper in Spot.us’ area of operation, the San Francisco Bay area. The Chronicle has also seen a 25 percent drop in circulation in the last six months, the largest of any major US newspaper.

The Chronicle’s editor-at-large, Phil Bronstein, sits on the board of the Centre for Investigative Reporting, the oldest non-profit news organisation in America.

New content ventures
He says he always keeps an eye out for new content ventures, and likes Spot.us.

“If a newspaper loses 10, 15, 30 or even 75 percent of its staff, there’s clearly going to be things that you’re no longer covering,” he says.

“So you need to look for other ways to fill those gaps.”

Bronstein says it’s possible Spot.us will help the Chronicle save money. However his newspaper has been cautious but discussed with Spot.us staff about collaborating on some projects.

He says smaller, independent news models are also better placed to experiment and test new ideas, which can be difficult in the “somewhat insular” business model of a large newspaper.

“It’s a great way to get ideas that don’t come from the Chronicle,” he says.

Cohn agrees with this: “Traditional news organisations are somewhat slow to adopt new things,” he says.

“Small, independent organisations are a lot more flexible.”

Pacific Scoop debut
Pacific Scoop, launched in August this year, is a New Zealand-based non-profit news publisher that formed from a partnership between Auckland University of Technology’s Pacific Media Centre and Scoop, an independent New Zealand news site.

They also publish under Creative Commons, and have associations with traditional news outlets in the Pacific region.

Associate Professor David Robie (pictured), editor of Pacific Scoop, says they rely on graduate journalism students - some from the University of the South Pacific which is operating in an environment of censorship in Fiji - and contributing journalists volunteering their content.

“What we’re trying to do is independent journalism, stories and journalism neglected by the mainstream media,” he says.

He adds that despite being the newest addition to the Scoop site, Pacific Scoop is the fastest growing with around 30,000 unique visitors monthly. He attributes the site's popularity to their dedicated coverage of the Pacific region outside New Zealand.

“The New Zealand audience is not particularly well served for Pacific news,” he says.

“There’s no media organisation catering for the mix of strong environmental, human rights, development, cultural and conflict issues that we offer.”

Indeed, it seems most non-profit news publishers are generally skewed towards investigative journalism along these lines.

Niche funding model
Professor Wendy Bacon, at the Australian Centre for Investigative Journalism (ACIJ), says this niche isn’t being adequately filled by traditional publishers.

“As far as I’m concerned there does need to be another funding model for investigative journalism,” she says, adding that there was always a shortage of funds for investigative journalism, even when the newspapers weren’t in the financial trouble that they’re in now.

“It’s probably a good idea to pursue more than one model of publishing, because everything is in a state of flux at the moment,” she says.

In the US, funding non-profits is big business. Billionaire Warren Hellman reportedly donated US $5 million to start up a new non-profit publisher in San Francisco.

Locally, the Foundation for Public Interest Journalism is also calling on philanthropists to support the initiative. Margaret Simons says they have had interest from a few donors, including one “five-figure sum expressed”.

Nick Evershed is a volunteer for Reportage, an ACIJ news website

Browse this article in newspaper format.
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More background on Pacific Scoop
Video on Pacific Scoop and PMC

Friday, January 8, 2010

Café Pacific's new decade media awards

Café Pacific marked the transition into the second decade of the century with six awards to media groups and individuals for their efforts in the Oceania region. Edited by the Pacific Media Centre director, Dr David Robie, Café Pacific provides an independent perspective on the region's media issues.

The awards for 2009:
Newspaper of the Year - The Fiji Times: "The rest of the region can thank The Fiji Times and its battling editor Netani Rika for keeping up the good fight and exposing life under media censorship in Fiji."

Film of the Year - Balibo: "The on-screen version of the murder of five journalists working for Australian media in East Timor at the time of the invasion by Indonesian in 1975 has triggered debate about journalistic professionalism in an age when bravado was perhaps more important than the safety concerns dominant today."

Independent Newspaper - Wansolwara: "Not only did the courageous students at the University of the South Pacific publish a special edition examining the media in Fiji under a military regime, but they also reported global warming, environmental issues and human rights in the region."

Media Monitoring Agency - Reporters sans frontières: "In its roundup for the year, RSF highlighted the Ampatuan massacre [in the Philippines] – largest ever killing of journalists [30] in a single day ... and continued its focus on the Pacific."

Independent Blog - Crosbie Walsh's Fiji: "The former University of the South Pacific professor established his own excellent and reliable information and analysis website in a bold attempt to make sense of the complexities of Fiji’s political, social and economic order since the 2006 coup."

Special Freedom of Speech Award - José Belo: "For remaining defiant in the face of threats and a legal onslaught over his exposes of corruption that could have led to imprisonment in East Timor. He was ultimately saved by the collapse of the trumped up “criminal defamation” case against him and Tempo Semanal."

Report on the awards at Pacific Scoop
Full original citations on Café Pacific

Tuesday, January 5, 2010

PMC video storytelling on YouTube

New stories and short docos filed by Pacific Media Centre students and student journos on the AUT television course are posted on our YouTube site. Some of the Māori, Pasifika and Ethnic Film Festival docos hosted by PMC chair's John Utanga of Tagata Pasifika are also included. Happy viewing.

PMC on YouTube
Brief doco about the film festival
PMC on Facebook

Friday, December 4, 2009

Sophie and John produce PMC mini doco

Pacific Media Centre

Final year television students Sophie Johnson and John Pulu have just produced a five-minute video for the Pacific Media Centre to provide a glimpse behind the faces of the students and researchers who work there.

The mini-doco profiles the centre and some of the projects at the centre such as Pacific Media Watch, Pacific Scoop, Jim Marbrook's feature film production on New Caledonia and PMC on YouTube.

Interviews included Josephine Latu from Tonga and the centre's Asian Journalism Fellow Violet Cho from Burma.

Meanwhile, New Zealand Herald reporter - and AUT journalism graduate - Vaimoana Tapaleao has been recognised by the Human Rights Commission for her piece on New Zealand families grieving for lives lost in the sinking of the Tongan ferry Princess Ashika.

Race Relations Commissioner Joris de Bres said the 23-year-old's four-page feature "highlighted the strong familial ties between New Zealand and the Pacific Islands, and the way the pain of this Pacific tragedy directly impacted on New Zealand".

The feature ran in the Weekend Herald on November 7.

Visit Pacific Media Centre



Sunday, November 8, 2009

Budding AUT Māori, Pasifika filmmakers now have sights on media industry

By Violet Cho: Pacific Media Centre

Winners at AUT University’s inaugural Flavorz09 film festival for student video makers on Friday night say they are now inspired to break into the industry.

Sophie Johnson, who won the year three prize of $350 for her 12 minute documentary, The Makings of a Kaitiaki, was delighted with her success.

“I worked quite closely with a group of eight people and I know how hard each of them worked. I feel really honoured to receive this tonight,” she said.

“It was so amazingly rewarding. Then to be able to see your images up on the big screen like this, and see people’s reactions, it is so rewarding.”

The film was a short biopic about kuia Nganeko Minhinnick, a kaitiaki of the Manukau.

Hosting the public showing of 11 Māori, Pasifika and diversity short films for AUT’s Pacific Media Centre, presenter John Utanga, a producer of TVNZ’s Tagata Pasifika programme, was impressed with the quality.

Utanga, who is also chair of the PMC, pledged to consider some of the programmes for possible broadcast.

His message to communication studies students was to strive for quality work and to have a good attitude.

‘Affectionate look’
The second-year prize of $150 went to Karleen Bidois, Ashleigh McEnaney and Natasha Munton for their four minute documentary Ka Tuituia, described as an “affectionate look at Isabella Sharrock, her whanau and her Karakeke taonga”.

Bidois said she hoped to work with Māori Television when she graduated.

“I feel emotional, excited and very surprised by the outcome. But I also know that I worked really hard to produce such a film from the bottom of my heart.”

She had not realised her passion for media before coming to AUT.

“Now I am hungry for it and I want to do it for the rest of my life.”

Organiser Dr David Robie, director of the Pacific Media Centre, said the festival was an “inspirational showcase” for quality programmes being made by students on Māori and Pasifika themes.

One film, Beyond the Ropes, also featured women’s wrestler Sangita Patel, a New Zealand-born Indian known in the business as “Alita Capri”.

Tongan music
Strong applause also greeted the documentary The Modern Afo of Tonga, directed by John Pulu, which features Tonga Kru and Three Houses Down and examines temporary Tongan music styles.

Pulu’s programme is being broadcast on the Pacific Viewpoint television show.

The festival was supported by television staff, including acting curriculum leader James Nicholson and Jim Marbrook, and Tui O’Sullivan, equity coordinator in AUT’s Faculty of Design and Creative Technologies, who also gave a mihi.

O’Sullivan said she was delighted with the festival.

“It would be great if it could be an annual event because the calibre of the work is really impressive.”

Pictured: Top: Kuia Nganeko Minhinnick in a still from Sophie Johnson's The Makings of a Kaitiaki; presenter John Utanga, of Tagata Pasifika; and television lecturer Jim Marbrook with students. More pictures on Pacific Scoop.

Violet Cho is a postgraduate journalism student from Burma in AUT’s School of Communication Studies.