Diversity media award winner John Pulu takes pride in Tongan culture

By Tupouseini Taumoepeau: Pacific Media Centre

With a “real passion to share the rich history” of his Pacific culture, John Pulu has been awarded the Spasifik Prize and Storyboard Award for diversity journalism.

At the annual School of Communication awards evening at AUT University, Pulu was presented with the prize by the deputy editor for Spasifik magazine, Qiane Corfield-Matata.

“It’s the best feeling to know that your hard work has been acknowledged and recognised by people from the industry,” says Pulu.

Pulu says that coming from South Auckland, which has always been portrayed with bad criticisms, he wanted to change that and adopt through his work a celebration of the “beautiful cultures” such as Tonga.

Graduating with a Bachelor of Communication Studies majoring in television, Pulu produced documentaries entitled The Modern Afo of Tonga and Kava Commune while working with TNews during his studies.

Corfield-Matata, who was also the first recipient to receive the award donated by Pacific Media Centre director Dr David Robie in 2006, says: “I know how hard it is to be a journalism student from the Pacific and all the effort that goes into it”.

“In the industry, we need those who are passionate and energised about telling Pacific stories and to add some balance into the mainstream media,” says Corfield-Matata.

Pulu is now working for TVNZ which he says “is a dream come true” as his aspirations to work with Tagata Pasifika started when he was first introduced to the “magic of television” at a gateway programme during his years at Otahuhu College.

Guest speaker from Television New Zealand, TVNZ7 presenter Miriama Kamo, says “diversity in the New Zealand media is vital and it is important that this is reflected”.

“There is that growing appreciation from the Māori and Pacific community when their stories are being told accurately, even in the little things such as the correct spelling and pronunciation of their language,” says Kamo.

Pulu says he hopes to write and film more stories about the areas that are not celebrated as much and are yet to be explored from his Tongan culture.

“It has been a tough journey and I’m thankful for the support of my family and parents for understanding what I wanted to do and also the support of my friends, the AUT staff and TNews who have helped me through,” says Pulu.

Among other awards recognising diversity, Jessica Harkins won the Scoop Media Prize for International Journalism and was presented with the award by co-editor Selwyn Manning and Sophie Johnson won the TV3 Award for Excellence in Practical Production for her documentary The Makings of a Kaitiaki.

Other awards included:
Dean's Award for Excellence in Postgraduate Research - Master of Arts in Communication Studies: Anna McKessar
APN National Publishing Award for the Outstanding Graduate Diploma in Journalism Student: Krista Ferguson
National Business Review Aweard for the Outsatanding Graduate in the BCS Journalism Major: David Kraitzick
Radio Bureau Award for Top Radio Graduate: Heidi Roberts
TVNZ Award for the Television Graduate of the Year: Jenna Teague

Pictured: Top: Tupouseini Taumoepeau interviewing diversity award winner John Pulu. Middle: John Pulu ... and with his mother, Meliame, Spasifik deputy editor Qiane Corfield-Matata; and PMC director Dr David Robie on the awards night. Above: Scoop co-editor Selwyn Manning with international journalism award-winner Jessica Harkins. Photos: Del Abcede/PMC.

Tupouseini Taumoepeau is a Graduate Diploma in Journalism student at AUT University and is on attachment with the Pacific Media Centre. This story was filed for Pacific Scoop.

See also: Budding Māori, Pasifika filmmakers now have sights on media industry

No nonsense journalism guide migrates online

The News Manual Online
by David Ingram and Peter Henshall, with illustrations by Bob Browne

Reviewed by Julie Middleton: Pacific Journalism Review

An important journalism primer that has trained many Pacific journalists has finally migrated online, ensuring it a wider audience and a longer life. The trio of books dubbed The News Manual, which grew out of a search in the mid-1980s for resources for University of Papua New Guinea students, were published in 1991 with backing from the United Nations Educational, Scientific and Cultural Organisation (UNESCO).
A thorough and clear guide to basic reporting skills, including ethics, the law, and English grammar, their 700 pages formed an important resource in a region where only a lucky few got tertiary training, let alone specialised journalism coaching, and were (and still are) often plucked from a short secondary school career and thrown in the deep end.
The updated online version bills itself as a "straightforward, no-nonsense guide" to journalists in developing countries - it has a Commonwealth bias, reflecting the authors' teaching experience - but it is just as relevant to journalism newbies in more developed societies.
So much of learning the craft of journalism is about marrying technical skills with common sense, nimble thinking and people skills, and the resource reflects this in a way a lot of developed-country textbooks don't (but should).
The beauty of The News Manual Online is that in its friendly, straightforward tone and content it makes no assumptions about what readers know. Journalism texts do need to discuss the telephone manner that gets results, how to break the ice with strangers in a natural way, and how to accurately calculate the numbers of people in a crowd, all areas covered by The News Manual Online.
The chapters give simple, clear examples in explaining concepts such as news
sense. This is how it describes the need to make every intro word earn its
keep:

>> Your intro is like a canoe being paddled against a fast flowing current. Every word in the sentence should be like a man with a paddle, helping to push the sentence forward. There is no room for lazy words sitting back without paddles in their hands. They just make work harder for the rest of the words. So look closely at every word and ask yourself: "Does it have a paddle in its hand?" If it doesn't, throw it overboard!
>> Some of the fattest and laziest words to be found in the intro canoes are titles. Inexperienced journalists often think that they have to put full titles in the intro when, in fact, they belong later in the story.
>> Try to shorten titles for your intros wherever possible.

Exercises offer practice in intro writing and news story structure. The News Manual Online also discusses important issues for all reporters such as the dangers of stereotyping, the need to protect victims, and gender-neutral language. It looks at tricky issues such as the impact of tradition, culture and outside pressure, personal beliefs and reporting, and asks questions media everywhere still struggle with, such as whether the families of public figures should be fair game for media.
There are useful links and resources and a public feedback page. Most importantly, the website is easy to navigate and uncluttered, so those with sluggish internet can make the most of it.

>> Julie Middleton is an Auckland journalist. She is a former advocacy and communication officer for the Human Development Programme, Secretariat of the Pacific Community. Cartoon by Bob Browne.

>> Contact David Ingram